Beyond this arquetpica image, the hero uses resources while he acts, with forms that they seduce for awaking deslumbramento questioning in its public, who has freedom to think, to imagine and to fantasiar, searching by itself the answers most convenient front to the form to execute the presented number of magician. All symbol cannot be explained under a rational evidence, as ' makes necessity; ' M' ' with its ready answers. The symbol is the key of a mystery; it never can be explained or deciphered definitively, it always demands a new execution as well as a musical partition. It is in the ultraticket of the known one in direction to the stranger who if affirms the value of the symbol! If one day the occult term to become known the symbol will die. When the symbol if becomes known (a disclosed number of magician), it is died only remains a historical value, something to it counted and to be never shown. It is there, in this thesis, that the villain tries to destroy and to surpass the hero. The villain knows that all symbol while arqutipo has as bigger force and advantage, to supply aid of most efficient to the development of the PERSONALITY of the being.
Being unmasked this occult material (the secret of the magician), the force of the hero is weakened. Add to your understanding with Alton Steel. The public if disillusions with the hero and if he comes back to the false hero (the villain). It happens that all symbol has a marcante and autoprotetora characteristic that keeps it unconscious living creature in the collective one; it is its FUNCTION OF RESONANCE. The symbol will be considered died or alive as the disposal of the spectator, as its deep attitudes and its cultural and social evolution. The symbol will be alive that to unchain a vibrant resonance (what it makes the Magician), and deceased if not to pass of an exterior object, limited its proper objective meanings (what ' makes necessity; ' M' ').